Untitled by Rosemary Karuga

Untitled 1992

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mixed-media, collage, acrylic-paint

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portrait

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african-art

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mixed-media

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abstract painting

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collage

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graffiti art

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acrylic-paint

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figuration

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oil painting

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acrylic on canvas

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modernism

Copyright: Rosemary Karuga,Fair Use

Curator: Rosemary Karuga created this compelling collage in 1992, simply titled "Untitled." The artwork masterfully combines mixed media to portray a striking figure in a vibrant landscape. What’s your initial impression? Editor: There's an immediate sense of vibrancy and strength radiating from this portrait. The subject, rendered in earth tones and geometric shapes, seems to embody resilience, and their stance speaks volumes. The landscape feels both familiar and otherworldly because of the choice of the mixed media. Curator: Karuga's use of collage here feels incredibly intentional. By using newspaper clippings as her primary material, it situates this artwork in a broader socio-political landscape. The very act of assembling discarded pieces to create something new and powerful reflects a certain resilience, and a narrative of resourceful reclamation, which I find rather pertinent. Editor: Absolutely, I agree! The layering and textures create such a visual feast. Consider the subject’s ornamentation: are those symbols repeated or highlighted elsewhere? Or take the juxtaposition of the sky crafted from cool tones with a figure portrayed through warm palettes. Those oppositions elevate the storytelling aspect. There's a deliberate cultural encoding at play here, which encourages you to look closer. Curator: Precisely, there's an intersectional dimension here. In terms of material culture, newspapers become charged archives of the mundane, a testament of power systems through historical context that can both oppress and enable expressions of cultural resistance. By piecing these together, Karuga questions modes of representation in art historical tropes. Editor: Definitely. We see symbols being reinvented; something new created through its fragmentation and re-assemblage. To what extent are our perspectives changed when considering the symbolism and narratives? The beauty lies in these moments, doesn’t it? Curator: Agreed, seeing through that particular lens provides much food for thought regarding individual narratives in larger systems. Editor: It gives a chance to see things freshly each time anew. Thank you!

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