Zwei Akrobaten in der Schaukel (Two Acrobats in Swings) [p. 25] 

Max Beckmann sketched these two acrobats in swings with pencil on paper. The sketch is a fascinating glimpse into the world of entertainment and leisure during the early 20th century. It reflects the German cultural landscape of the Weimar Republic, a period of economic and political instability, but also one of artistic experimentation and social change. The circus and performers became popular subjects for artists like Beckmann, who were interested in exploring themes of spectacle and human vulnerability. The loose lines and unfinished quality might invite us to consider the role of the artist as an observer. Sketches and preliminary studies help us understand the working processes behind more finished artwork. To delve deeper, research into the social history of circuses and entertainment during this time in Germany might reveal new layers of meaning in this intriguing sketch.