Portret van de schilder Jan Both 1649

Editor: Here we have a peek into the past – a rendering of “Portret van de schilder Jan Both,” dating back to 1649. Coenraet Waumans committed this portrait to an engraving. The texture achieved feels particularly intriguing to me. What strikes you most vividly about this work? Curator: Oh, this image is a fascinating little artifact. When I look, I can almost hear the scratching of the engraver's burin, coaxing this face from the copper. I see a capable man, sure of himself, and clearly important enough to have his portrait struck – but without the sort of aristocratic frippery one might expect. Have you noticed how his eyes seem to be appraising us, almost with amusement? It's a very direct, human connection across the centuries. What kind of stories might he hold? Editor: It is amazing to see the person represented with that sort of attitude as though he is engaging with you. What about the technique? Curator: It is also so precise – especially impressive when one considers the process. And notice, if you will, the landscape hinted at by his gesture! He pulls the fabric slightly to the side; it's such a subtle nod to his artistic inclinations. I think there is that sort of conversation occurring on a few levels. Editor: This little background does make me appreciate portraiture more! I never gave much thought to such elements having more subtle significance. Curator: It makes one realize the human depth a portrait can provide through pose, clothing and symbols. And the artistry behind it adds so much to our modern eyes!