Five Studies of Ezekiel, Amiens, France 19th-20th century

Curator: This is John Singer Sargent's "Five Studies of Ezekiel, Amiens, France" in pencil on paper, residing here at the Harvard Art Museums. Editor: The immediate impression I have is of searching. The sketched lines give the figures a sense of incompleteness, almost like they're emerging from the page itself. Curator: Sargent was known for his portraits, and Ezekiel, as a prophet, is ripe with symbolism. What do these studies convey about power and the divine? Editor: Well, seeing the prophet drawn from various angles, especially the close-ups of his face, lets us consider different facets of his identity and the narratives that might have been constructed around him. He looks burdened by his prophetic role. Curator: True. Sargent's Ezekiel is an archetype, a figure deeply etched in our collective visual memory of religious authority. Editor: I find myself wondering about the cultural narratives and power dynamics embedded in images of prophets and how they continue to influence our understanding of leadership. Curator: It's fascinating to consider how Sargent's classical leanings intersect with his modern sensibility in these sketches. Editor: Exactly, bringing together historical context and critical inquiry really makes the artwork speak to the present.