Projects for the Duomo 

Giambologna created this wood model of ‘Projects for the Duomo’ in the late 16th or early 17th century. The structure presents a rigid symmetry, giving a strong sense of balance and order. Its linear precision and the subtle play of light across the wooden surfaces command attention. The facade is composed of a series of rectangular panels, arched windows and imposing columns that rise to meet an equally proportioned roof. These features create a harmonious aesthetic. The architectural design reflects the Renaissance’s revival of classical forms and ideals. The semiotic system of signs reveals how classical elements were used to convey ideas of stability and authority, deeply rooted in cultural codes. The structure speaks to the humanist interest in proportion and the mathematical underpinnings of beauty. Consider how the architectural model engages with the philosophical discourse of its time. The calculated balance reflects both an aesthetic pursuit and a larger cultural statement about the role of architecture in shaping society.