Huwelijk tussen Lodewijk XV en Maria Lesczinska by Leonard Schenk

Huwelijk tussen Lodewijk XV en Maria Lesczinska 1727

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print, engraving

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baroque

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print

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pen illustration

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old engraving style

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genre-painting

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history-painting

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engraving

Dimensions: height 158 mm, width 185 mm

Copyright: Rijks Museum: Open Domain

Curator: Welcome. We are standing before a print entitled "Huwelijk tussen Lodewijk XV en Maria Lesczinska," or in English, "Marriage between Louis XV and Maria Leszczyńska." It's attributed to Leonard Schenk, created around 1727. Editor: Immediately striking. There is such incredible detail rendered in such a tiny scale. The perspective is convincing and draws the eye into this vast space. Curator: Precisely! The artist uses precise, almost scientific, linework to delineate the architectural space. Observe the orthogonal lines receding toward a vanishing point, creating a sense of depth. And consider the visual balance – the dense crowd in the foreground is offset by the airy heights of the columns. Editor: But that "depth" serves to diminish the individual, does it not? The work romanticizes and memorializes a highly unequal union—a political alliance masked as holy matrimony. The sheer volume of courtiers and attendees—the faceless mass—underscores the way individuals were subsumed by dynastic ambition. Curator: While that reading holds merit from a contextual standpoint, note how the composition emphasizes a pyramidal structure, focusing on the royal couple elevated at the apex, under that ornate baldachin. That form transcends mere political circumstance, achieving a visual harmony rooted in Baroque principles. Editor: But "harmony" is a dangerous descriptor, isn't it? To portray this event as visually harmonious risks obscuring the forced nature of the arrangement for Maria, a woman bartered for geopolitical stability, with the artist and commissioner both contributing to this myth. We can read it semiotically, seeing the textiles of their clothing communicating their power, status and prestige. Curator: I can agree that it is highly charged, visually rich piece; a product of the precise intersection of visual strategy and social narrative. Editor: Right, which helps highlight the crucial intersection of image and power inherent in representations of state events like royal weddings, thus offering valuable insights for further socio-political investigation.

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