Saint Moritz 1929

Tamara de Lempicka conjured this striking portrait, 'Saint Moritz' with oil paint, we don't know exactly when. The colours are just so rich, aren't they? Especially that red of the sweater, it feels like it's been built up in layers, a testament to the physical act of applying paint. You can almost feel the texture. The light catches on the surface, creating shadows that give the whole thing a real depth. Then, look at the detail in the face, the way she's captured the light in the eyes, those beautifully glossy lips. There's a sense of cool, almost robotic detachment in the style, but something tender in the gaze. It's like Lempicka is pulling us in and pushing us away all at once. It reminds me of a painting by Fernand Léger somehow, though her touch is unique. It’s art as an ongoing conversation, where everyone's invited to add their voice.