Madame Derain in a White Shawl by Andre Derain

Madame Derain in a White Shawl c. 1919 - 1920

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Dimensions: support: 1955 x 975 mm frame: 2125 x 1136 x 62 mm

Copyright: © ADAGP, Paris and DACS, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Andre Derain painted “Madame Derain in a White Shawl.” It’s a striking portrait, just over six feet tall, that currently resides in the Tate Collection. Editor: My first impression is how somber it feels. The dark background and Madame Derain's serious expression create a very formal, almost austere mood. Curator: The portrait certainly reflects the artistic climate of the early 20th century, a period marked by significant social and political upheaval, which influenced the shift towards darker palettes and a focus on the inner emotional states of subjects. Editor: Absolutely, and I see a statement about female representation here. Look at how Madame Derain is positioned – her gaze is direct, almost challenging. The white shawl, a symbol of purity, oddly contrasts with the darkness, creating an intriguing tension. Curator: The choice of stark contrasts and the simplification of forms may have been a conscious decision by Derain to move away from traditional academic portraiture. He wanted to challenge conventional ideas around beauty. Editor: Which invites us to consider what "beauty" means within these historical power dynamics. It's not just about aesthetics; it's about who gets to define those aesthetics. Curator: Indeed, and looking at this piece today challenges us to interrogate the historical context and the continued relevance of those definitions. Editor: I agree. It's a reminder that art is not created in a vacuum.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/derain-madame-derain-in-a-white-shawl-t03368

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tate 2 days ago

In this portrait of his wife Alice, Derain has adopted some of the compositional and stylistic devices of early Italian Renaissance art, which he greatly admired. The space inside the image is flattened and outline is emphasised at the expense of volume. The figure appears stiff and immobile, her face an impassive and generalised mask. At the same time, the stark contrast of the white shawl against the black dress can be seen as reflecting Derain's philosophical interest in the relationship of the spiritual and material worlds, symbolised for him by light and dark. Gallery label, August 2004