“Hello, Angel, always pretty...,” plate 3 from Coquetterie 1839
drawing, lithograph, print, paper
drawing
lithograph
french
caricature
paper
romanticism
Dimensions: 242 × 154 mm (image); 335 × 248 mm (sheet)
Copyright: Public Domain
Editor: This lithograph by Honoré Daumier, titled “Hello, Angel, always pretty…,” from 1839, is striking. The exaggerated features of the figures and the stark contrast of light and shadow give it a somewhat satirical feel. What do you see in this piece beyond the surface-level caricature? Curator: It's a window into the social theatre of 19th-century Paris. Daumier's work often served as social commentary. Consider the title; it drips with irony, doesn't it? It's important to ask: who was the audience for these images? How did they circulate, and what commentary were they meant to provoke? Editor: I suppose this print, being part of a series, was meant for mass consumption through periodicals or journals, then? Curator: Precisely. The print media boom allowed artists like Daumier to reach a broad public and engage in the political discourse of the time. This wasn't simply entertainment; it was a form of social critique aimed at the bourgeoisie. Notice how the man's overly theatrical gesture clashes with his rather… deflated appearance. What does that juxtaposition tell you about the artist’s intent? Editor: It suggests a commentary on vanity and perhaps the performative nature of social interactions, the disparity between appearance and reality that seems to be targeted toward those with power. Curator: Excellent. Daumier brilliantly used caricature to expose the absurdities of the ruling class and the pretensions of social climbers. It served as a visual form of dissent. The art becomes more than the sum of its parts; it's about democratizing art, and bringing social issues into the conversation. Editor: So, Daumier used his art to challenge the status quo. That adds a whole new layer to appreciating this seemingly simple drawing! I was looking only at what was visible and missing the more relevant perspective, focusing more on context. Curator: Indeed. By examining the socio-political context, the 'how' and 'why' of its making, we unveil the deeper meaning and enduring relevance of artworks like this.
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