Philippus II van Macedonië ziet de verwekking van Alexander de Grote c. 1655 - 1665

Leonaert Bramer created this drawing, "Philippus II van Macedonië ziet de verwekking van Alexander de Grote," using pen in gray ink, and gray wash. The composition is stark, with the strong verticality of the architectural elements framing a scene of implied divine conception. The artist uses a monochromatic palette, exploiting shades of gray to model forms and create depth. Notice how the stark contrasts enhance the drama of the scene, drawing our eyes to the figures. The work explores the moment when Philip II witnesses the supernatural events surrounding Alexander the Great's conception, an intersection of the earthly and the divine. The linear quality of the pen work suggests a concern for structure, while the washes add an atmospheric quality. Consider how Bramer uses visual form to engage with the narrative, creating a symbolic space where legend meets the corporeal. The drawing’s formal elements underscore its thematic concerns, pushing viewers to question the boundaries between the natural and supernatural.