Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Perino del Vaga 1724 - 1745

This print, "Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris," was made after Perino del Vaga by Philippe Simonneau in the 18th century. The composition balances earthly and celestial realms, featuring the goddesses below and hovering cherubs above, all rendered in delicate lines that define form and space. Note the formal arrangement: the goddesses occupy a frieze-like horizontal band, offset by the vertical ascent of clouds and cherubs. This structure creates a visual hierarchy, contrasting divine beauty with ethereal innocence. The cherubs, bearing wreaths, act as visual signs, symbols of honor, and anticipation of the beauty contest. Simonneau masterfully employs line and tone to suggest depth, volume, and texture. The engraving technique itself becomes a commentary on the values of the period, highlighting the interplay between classical ideals and the artistic conventions of representation. The artwork challenges fixed notions of beauty, inviting an ongoing interpretation of its cultural and philosophical implications.