Dimensions: image: 200 x 295 mm
Copyright: © Paula Rego | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Paula Rego's "Untitled V" from the Tate Collections. It's a photo, and I find it quite unsettling. The table and the watery trails… it feels like a scene after something bad has happened. What do you see in this image? Curator: The long table with water traces and a wooden plank, yes, it whispers stories, doesn't it? The stark black and white emphasizes the loneliness, the desolation. I think of old rituals, perhaps a cleansing, or something more somber... what kind of stories do you imagine playing out here? Editor: That's interesting, rituals... I hadn't considered that. It makes me think about the power of absence, like the water has washed something away. Curator: Exactly! And Rego, with her playful touch, often hints at those darker, unsaid things, doesn't she? It's like she invites us to complete the narrative. A potent image, indeed.
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This etching is one of a series of powerful works the artist made on the subject of abortion. The prints were produced in an edition of seventeen; Tate owns one of two sets of artist’s copies of seven of them. In addition to the etchings, Rego made a number of drawings and paintings, including the large scale Triptych, 1998 (Marlborough Fine Art, London). Each of the images shows a young woman alone in a room either during or immediately after an abortion.