Peter Paul Rubens c. 17th century

Editor: This is an engraving, a print, dating back to the 17th century. The print depicts Peter Paul Rubens. Actually, it says "Petrus Paulus Rubens" on the bottom. I notice that, although it is only an engraving, it possesses such dynamism. What stands out to you as you engage with this image? Curator: Well, it’s more than just a pretty face, isn’t it? It’s a glimpse into the artistic circles of the Baroque. Seeing Rubens depicted, by Paul Pontius, no less, feels like eavesdropping on a conversation between giants. It makes you wonder, what were they saying to each other through their art? Were they friends? Rivals? Or perhaps a bit of both, like most of us, I suppose? Editor: That’s a perspective I hadn't really considered – seeing it as a kind of visual dialogue. And the gaze, it’s so direct. It almost feels confrontational. Curator: Indeed, it's an invitation to a conversation. This directness was not uncommon in the Baroque, although usually encountered in painting. The choice to convey that via engraving adds another layer. I find the swirling dynamism of Rubens' expression offset with the more traditional border is a fascinating dialogue within the artwork itself. The framing contrasts nicely with Rubens breaking the 4th wall. It gives a lot of context. Editor: It is definitely compelling and something that I would look forward to discussing. Thank you! Curator: Thank you. It's just an opportunity to consider a familiar masterwork from a different angle, something beyond its immediately pleasing facade.