Hammamet with Its Mosque 1914

Paul Klee painted "Hammamet with Its Mosque" with watercolor, conjuring the North African light through a process of layering translucent washes. The colors feel both precise and intuitive. See how the pinks and oranges are not just flat areas, but subtly modulated, creating a sense of depth and atmosphere. The mosque itself, rendered in delicate purples and blues, rises ethereally against the pale sky. There's a playful, almost childlike quality to the mark-making, yet everything is so carefully considered, like a jazz improvisation where every note counts. Take a look at the lower right, at the roof area patterned with tiny yellow flower-like shapes. This detail encapsulates Klee's ability to infuse the mundane with magic. It also reminds me of Miro's use of symbolic language, creating a visual poem that invites endless interpretation. For me, this piece sings with the joy of discovery, inviting us to see the world anew.