Façade van Palazzo Alberini Cicciaporci te Rome by Giovanni Battista Falda

Façade van Palazzo Alberini Cicciaporci te Rome 1655

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print, engraving, architecture

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baroque

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print

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geometric

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line

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cityscape

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engraving

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architecture

Dimensions: height 244 mm, width 310 mm

Copyright: Rijks Museum: Open Domain

Curator: This etching by Giovanni Battista Falda, titled "Façade van Palazzo Alberini Cicciaporci te Rome," dates back to 1655. It’s currently held in the collection of the Rijksmuseum. What are your first impressions? Editor: An imposing austerity strikes me. The geometric precision, the repetitive rectangles, and the linear hatching contribute to a sense of restrained power, wouldn't you agree? Curator: Absolutely. The Palazzo itself, and Falda’s depiction of it, speaks volumes about the values of the Roman nobility. It is baroque, but in a much more restrained way compared to, say, Bernini's flamboyant works. This facade seems to signal permanence and unshakeable authority. The severe repetition echoes patterns throughout history symbolizing dominance. Editor: And it’s achieved through rigorously formal means. Observe how Falda uses line—primarily straight, precise lines—to delineate the architectural structure. There’s a clarity here that transcends mere representation. It approaches an almost abstract articulation of space and form. It’s a statement of intellectual control through artistic construction. Curator: It’s a fascinating blend. The classical influence is palpable, evoking images of Roman civic virtue and power. The geometric shapes may harken back to an earlier period where such things were signifiers of rationality in the face of worldly uncertainty. Editor: Indeed, the facade reads almost as a symbolic equation: a structured hierarchy of horizontal registers each containing nested squares. This strict geometrical system evokes, if you will, a self-assured attitude about civic order during times that might not have been. Falda doesn’t just show us the palace; he’s giving us its structural, and hence conceptual, DNA. Curator: The choice of engraving amplifies this effect. The sharp, unyielding lines translate into something emotionally solid. As if one’s memories and experience of that place were rendered immutable and permanently etched onto collective memory. Editor: So well put. A perfect example of how careful visual decisions create much larger, symbolic effects. Curator: Precisely. Thank you for illuminating this intriguing work! Editor: My pleasure. It is inspiring to reconsider the deep resonance embedded in seemingly simple compositions.

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