Portret van kardinaal Mario Alberizzi 1675 - 1679

This is a finely detailed engraving of Cardinal Mario Alberizzi made by Albertus Clouwet sometime in the late 17th century. The composition is dominated by the oval frame that encloses the portrait, creating a sense of formality and containment. Clouwet uses hatching and cross-hatching to define the Cardinal’s features and clothing. This emphasis on line and texture over color creates a sense of depth and volume that is interesting, given the work's two-dimensionality. Note the two crests in the upper corners; these introduce a semiotic dimension, signaling the Cardinal's status and lineage within the hierarchical structure of the Church. The overall design reflects the baroque aesthetic of the period, characterized by its intricate details, dynamic composition, and a clear articulation of social and religious authority. Consider how this portrait operates on multiple levels: as a record of physical appearance, a symbol of status, and a carefully constructed representation of power and identity.