Portret van kardinaal Bernhard Gustave von Baden-Durlach 1671 - 1679

Albertus Clouwet made this print of Cardinal Bernhard Gustave von Baden-Durlach sometime around 1671. It exemplifies the politics of imagery in the Catholic Church during the Counter-Reformation. Produced in Rome, the print uses specific visual codes and historical associations to convey power and authority. Note the Cardinal's attire, the coat of arms, and Latin inscription. These are not merely decorative; they communicate his status, lineage, and allegiance to the Church. The symbols reinforce the hierarchical structures of the 17th century. Clouwet’s print reflects the conservative nature of religious institutions at that time. The Church relied on such images to reinforce its authority and message. Resources like Church records, historical accounts, and studies of religious iconography are essential to understanding the print.