Oude man met glas en pijp in de hand by Eberhard Cornelis Rahms

Oude man met glas en pijp in de hand 1861 - 1864

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print, engraving

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portrait

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toned paper

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print

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old engraving style

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portrait reference

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portrait drawing

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genre-painting

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engraving

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realism

Dimensions: height 251 mm, width 202 mm

Copyright: Rijks Museum: Open Domain

Curator: We’re looking at "Oude man met glas en pijp in de hand," created between 1861 and 1864 by Eberhard Cornelis Rahms. It’s a very detailed engraving. Editor: He seems… heavy. I mean that in an atmospheric sense, not a rude way. Heavy with life lived, heavy with stories and, perhaps, a little too much of whatever’s in that glass. The line work definitely contributes to that feeling. Curator: The density of the engraving is remarkable. Think about the labor involved in creating that level of detail with such rudimentary tools. And consider what's highlighted—the textures of his clothes, the wrinkles on his face. Editor: The material of his jacket practically hums with a kind of working-class energy, wouldn’t you say? You can almost smell the faint aroma of pipe tobacco clinging to its fibers. Curator: It’s a classic genre painting theme, depicting a moment of everyday life with, I think, quiet dignity. Look at the way he holds the glass and pipe—there’s a world-weariness but also a comfortable acceptance. Editor: It makes you think about access, too. I wonder what resources Rahms had to produce this engraving. The materials—the plate, the inks—and the time dedicated all speak to a certain societal position, even when depicting a man who likely embodies a simpler lifestyle. Curator: Absolutely. And the act of portrayal itself elevates the everyday. By making this ordinary man the subject of art, Rahms is subtly saying that his life, his experience, is worthy of attention. There’s a powerful social statement embedded there. Editor: It feels very personal, though, right? As though Rahms weren't just rendering a figure, but trying to understand him and connect with him. Curator: Definitely, it transcends simple portraiture. It is deeply introspective. For me, it’s a meditation on time, on aging, and on finding small moments of peace in the midst of it all. Editor: Thinking about this image, my appreciation is expanded. Thank you! Curator: My pleasure, these types of material examinations bring fresh and intriguing perspectives.

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