Visioen van de heilige Dominicus over de heilige Franciscus. by Theodoor Galle

Visioen van de heilige Dominicus over de heilige Franciscus. 1611

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print, engraving

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allegory

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baroque

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print

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old engraving style

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perspective

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figuration

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line

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history-painting

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engraving

Dimensions: width 90 mm, height 150 mm

Copyright: Rijks Museum: Open Domain

Curator: Here at the Rijksmuseum, we have a 1611 engraving by Theodoor Galle, entitled "Vision of Saint Dominic Concerning Saint Francis." Editor: Oh, wow. My first thought? It feels like looking into a snow globe filled with religious fervor! Curator: The composition is certainly striking. We see the divine realm above, with God brandishing lightning bolts, seemingly calmed by the Virgin Mary. Editor: Right. God’s got some serious thunderbolts of judgment happening, but Mary’s like, “Hey, maybe chill a sec?” It's intense! Then below, those two saints are kneeling before... is that the Earth? Curator: Precisely. A celestial globe displays scenes of human suffering, a world seemingly on the brink. Dominic and Francis are positioned on either side of this earthly sphere. The symmetry and balance draw your eye directly to that globe, suggesting mediation and intervention. Editor: So, it’s like Dominic’s having a vision, right? Seeing the world’s problems laid out before him and Francis, like, "Dude, we gotta do something?" Curator: That interpretation aligns well with the historical context. Both saints founded influential religious orders dedicated to addressing societal ills and guiding humanity back to the Church. The globe signifies their shared mission. Note also the artist’s meticulous use of line and perspective to create a dynamic, multi-layered image despite its small scale. Editor: You know, the engraving feels really Baroque, with all that dramatic lighting and emotional intensity crammed into a tiny space. I guess that’s why it’s so captivating. It makes you feel the weight of their task and, honestly, a little bit of the looming doom too. Curator: Yes, the piece certainly captures a particular historical anxiety. But within that is an undeniable sense of hope, reflected in the saints’ devotion and their faith in divine grace. Editor: I came in expecting a straightforward historical print. Now, though, it’s a reminder that even the most intricate artworks can speak volumes about a complex world and the power of belief.

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