Bandō Hikosaburō III as Kudōzaemon Suketsune by Tōshūsai Sharaku

Bandō Hikosaburō III as Kudōzaemon Suketsune 1795

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print, ink, woodblock-print

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portrait

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ink painting

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print

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asian-art

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ukiyo-e

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figuration

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ink

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woodblock-print

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genre-painting

Copyright: Public domain

Curator: Before us is Sharaku's 1795 woodblock print, "Bandō Hikosaburō III as Kudōzaemon Suketsune." It immediately strikes me with its muted colors and the confident posture of the figure. Editor: My first impression is tension—the subject's tightly clenched fan and steely gaze suggest suppressed anger or perhaps determined resolve within rigid societal expectations. Curator: Absolutely. Sharaku was a master of capturing the psychological state of his subjects through subtle gestures and expressions. Look at the geometric precision of the patterns in the kimono, a visual language which complements the actor's restrained energy. Editor: And let's not forget the social implications. Actors were often viewed as social outcasts, and Sharaku's work, through its stark realism, challenges the prevailing norms and celebrates a marginalized group within Edo society. Curator: I'm fascinated by the use of line here – precise and deliberate. Notice how it carves out space, shaping the figure and creating areas of stark contrast. Editor: That bold linearity accentuates the tensions in the face, suggesting how class structures oppressed artists and those deemed to exist on the fringes of conventional society. I'm drawn to consider its implications about visibility and artistic agency in a world of political constraint. Curator: The rendering of the face departs radically from previous portrayals of actors. What do you think of the planes and tonal values? Editor: These were deliberate acts that interrogated what visibility and respectability meant when they seemed unattainable to working artists in Edo society. These portraits served as commentary and challenged audiences. Curator: Indeed. These visual choices highlight the figure's unique persona and, for me, establish him as a subject of timeless artistic interest. Editor: Agreed, although my thoughts gravitate towards its ability to reflect humanity through its portrayal and subversion of class hierarchies of Edo society. These details give a view of individuals who fought against societal expectation to make an artistic difference.

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