Credens in nis after 1724

Editor: So, this is "Credens in nis," an engraving by Georg Lichtensteger from after 1724, housed at the Rijksmuseum. It feels like peering into a dollhouse—a very ornate dollhouse! The lines are so precise. I am fascinated. What details capture your imagination? Curator: Oh, dollhouse is *exactly* the right feeling! It’s like a stage set, isn't it? I find myself pondering the theatricality of Baroque domestic life. Look how meticulously every object, every curve, is rendered. What do you think is going on? What sort of ‘show’ might this ‘stage’ be designed for? Editor: Perhaps displaying wealth and status? All those gleaming objects, neatly arranged... like a curated collection. The gentleman on the right seems part of the set dressing himself. Curator: Exactly! The owner is indeed flaunting taste and order. It’s as if the engraving whispers of whispered secrets and hidden agendas. Baroque art always hints at something more, don't you find? Something grand… something slightly ridiculous! Editor: It is interesting to see a "behind the scenes," and I see more layers beyond the initial impression of grandeur and opulence. I see more narrative and theatricality! Curator: Agreed, every object has an inherent dialogue in relation to all objects around it. Editor: Absolutely, I agree. Thinking about Lichtensteger's choices here makes you wonder what else is just outside of our line of sight, and where each person stands within this space. Curator: And who gets to observe them, which adds a delicious tension! Editor: Well, I certainly appreciate that! Thanks for all the context! Curator: My pleasure. Always look for the untold stories lingering in the details.