Vesta Victoria, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes by Allen & Ginter

Vesta Victoria, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes 1885 - 1891

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print, photography

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portrait

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print

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photography

Dimensions: Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm)

Copyright: Public Domain

Curator: This card is part of the "Actors and Actresses" series, produced between 1885 and 1891 by Allen & Ginter for Virginia Brights Cigarettes. The piece showcases Vesta Victoria, a performer of the era, rendered in what seems to be a photographic print. Editor: It has an ephemeral quality to it. The sepia tone lends it an antique aesthetic, almost like a faded dream. And I am struck by the scale, how the constraints of production seem to echo the constraints of its subject: women in the entertainment industry. Curator: Indeed. Think about the industrialization of leisure at this time, the commodification of celebrity. Cigarette cards like this functioned as both promotional material and collectibles. It really blurred the lines between advertising, art, and popular culture. It reduces this person's individuality into something replicable. Editor: Yet, Victoria’s costuming! That exaggerated bow in her hair and frilly dress; there's a theatricality to the clothing that reflects the character. Perhaps these trappings were designed to enhance the performance for a primarily male gaze. Or alternatively to mock domestic norms. Curator: I suppose it could function in both ways. The layering of context is what strikes me most. We're talking about labor – Victoria's labor as a performer and the labor involved in the mass production of these cards, consider the mostly female workforce in the tobacco industry, often subjected to harsh conditions and low wages. Editor: Yes, and let's consider the material again – paper. It's delicate, easily discarded, easily stained and worn, so the act of preservation speaks volumes about how value accrues and cultural memory forms, regardless of social class. I suppose she could represent different things to different people in Victorian society. Curator: Agreed. What we have is a potent snapshot that touches on the intersections of commerce, art, labor, and identity formation in the late 19th century. These humble everyday items contained vast economic and social stories of their time. Editor: It reminds us that even what appear to be the most simple images are deeply steeped in meaning. I see her as an enduring emblem that holds both past and present discourses about celebrity and representation.

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