Vertoning van De Goudbloem (Vilvoorde), 1561 by Anonymous

Vertoning van De Goudbloem (Vilvoorde), 1561 1561 - 1562

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graphic-art, print, textile, engraving

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graphic-art

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ink paper printed

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print

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textile

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11_renaissance

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northern-renaissance

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engraving

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calligraphy

Dimensions: height 217 mm, width 153 mm

Copyright: Rijks Museum: Open Domain

Editor: So this engraving from 1561-1562 is titled "Vertoning van De Goudbloem (Vilvoorde), 1561," it seems to depict some sort of presentation in the city of Vilvoorde. It's very text-heavy, almost like a broadside, and it's got some interesting heraldic imagery at the top. What stands out to you most in this piece? Curator: It’s crucial to situate this print within the religious and political landscape of the 16th century. This was a period of immense upheaval in the Netherlands, marked by the rise of Protestantism and growing discontent with Spanish rule. Looking at the text, do you notice any coded language or symbolism that might allude to these tensions? Editor: Well, I see phrases about "love" and "unity," which could be interpreted in different ways. But is that enough to suggest there's a deeper political meaning? Curator: Absolutely. Consider that in times of oppression, subversive messages are often veiled. This print likely circulated within specific communities, where its coded references would be understood. Even the inclusion of heraldic symbols speaks to a complex interplay of power, lineage, and local identity within the broader struggle against Spanish authority. What is your read of the banner with the word “Vilvoorden” in the artwork’s middle area? Editor: Hmm, maybe the display of local identity is a subtle way of pushing back against outside rule? So, this isn't just a decorative print; it's a form of resistance through symbolic communication? Curator: Precisely. It’s about how seemingly innocuous imagery could serve as a powerful tool for collective identity and even dissent during a period of great social and political anxiety. Editor: Wow, I never would have looked at it that way. Now I see how deeply art is entangled with the politics of its time!

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