Annunciation to the Shepherds 1973

Curator: John Piper's "Annunciation to the Shepherds," held here at the Tate, presents this pivotal biblical scene. Editor: My first thought? It feels almost…raw. The figures are so stark against that muted background, like an etching pulled straight from a dream. Curator: Indeed, the simplified forms and strong contrasts echo early Christian mosaics, emphasizing the spiritual power inherent in the moment of divine revelation. Editor: But there’s also something unsettling about those mask-like faces. It is if the figures are both present and yet distant. Curator: The artist does utilize archetypes to enhance the universality of the scene, where the annunciation transcends any specific time. Editor: Maybe it's the yellow tone, making it feel surreal. The scene comes alive, almost like theatre. Curator: A fitting interpretation, given Piper’s involvement with set design and theatrical arts. Editor: It all makes sense. This piece, in some ways, feels like a curtain rising on a very old story, making it new again.