Portret van George, prins van Denemarken 1670 - 1713

Pieter Schenk created this portrait of George, Prince of Denmark using the mezzotint technique. Observe the cascading wig, a potent symbol of status and power during the late 17th century. This elaborate hairpiece echoes the regal manes seen in ancient depictions of lions, themselves symbols of strength and nobility. The wig, adopted by European royalty, was not merely a fashion statement. It was a visual declaration, a manufactured mane designed to evoke an instinctive response of awe and respect. Consider too, how this symbol has evolved. In ancient Rome, emperors wore laurel wreaths, a simpler but equally effective claim to authority. What we see in Prince George's portrait is a continuation of this impulse, a cultural memory expressed through a new, extravagant form. This transformation speaks to our collective, perhaps subconscious, desire to align leaders with archetypal images of power. The emotional impact of this image lies in its appeal to our primal instincts, reminding us that the symbols of power, though ever-changing, continue to shape our perceptions and expectations.