contact-print, photography
landscape
contact-print
photography
orientalism
genre-painting
Dimensions: height 89 mm, width 179 mm
Copyright: Rijks Museum: Open Domain
Curator: Here, we have "Veldarbeiders in een rijstveld op Java," or "Field Workers in a Rice Field in Java," captured by Carleton Harlow Graves in 1902. Editor: Wow, it's remarkably serene. Even in sepia tones, you can sense the dampness of the field and feel the immensity of that quiet, looming mountain. It's more of an impression than just an image, somehow. Curator: That impression stems partially from the use of photography. It offers the possibility of the photograph, with its reproducible format, to serve the function of orientalist genre-painting, as it showcases a scene of labour and everyday life from Java. Notice how the repetition in this stereo format draws the eye deeper into the field. Editor: I hadn't even considered the implications of its reproducible nature – I was just soaking in the composition! The dark band of trees anchors the top, creating a visual barrier between land and sky, yet it simultaneously provides an uninterrupted backdrop for the toiling workers. Their hats are these curious haloes, too, that disrupt the scene. Curator: Exactly. The halos or hats serve the purpose of creating an undulating, continuous movement within the frame. From a formalist perspective, we see a very subtle approach. The tonal contrast isn’t stark, allowing the elements of labor, nature, and landscape to coexist. This reflects an orientalist construction. Editor: You know, it's easy to get lost in the sepia wash and those almost archetypal rice hats. What is striking, though, is a feeling of the real – these individuals, in this moment. It's a moment in time, but captured with artistic and... yes, maybe even orientalist sentiment. Curator: And yet there's a quiet respect, a sense of place. The choice of landscape, combined with this very modern approach to photography allows, a certain kind of intimate record of everyday labour to take form. Editor: So, perhaps we can let ourselves be taken away into both: the grand scale and the minuscule happenings – life! Captured here, a whisper caught in the Java rice fields.
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