Multi face 2013

Art Historian: Editor: Editor: We're looking at "Multi face" by Aboudia, created in 2013 using mixed media. It’s a jumble of images and vibrant colors that feels…chaotic, almost like a visual representation of urban noise. What do you see in this piece? Art Historian: That feeling of urban noise is spot on. For me, Aboudia's work always brings up questions about representation and power. How do you think his background growing up in Abidjan during political turmoil influences his art? Editor: Well, knowing that, it feels like he’s reflecting the energy and even the violence of the city. Is it fair to consider it political art, or is it more personal? Art Historian: It’s both. Aboudia's art emerged from a specific socio-political context, a time of intense conflict in Côte d'Ivoire. He uses those almost childlike figures and frenetic energy to channel the experiences of marginalized youth. The rawness and urgency in his style become a powerful form of social commentary. Have you noticed how art institutions, galleries in particular, tend to frame and present his works? Editor: It's often shown as contemporary African art. I guess I never really thought about how being categorized affects its message. Does that framing limit the possible interpretations? Art Historian: Absolutely. That framing influences the way audiences engage with the work, potentially overshadowing the individual voice and specific political commentary. Do you feel that understanding the history enriches your experience of the artwork? Editor: Definitely. Knowing the historical context makes it less about pure aesthetics and more about understanding the social impact of the image itself. Art Historian: Exactly, and that’s where the real power of art resides – its ability to challenge, provoke, and ignite dialogue about the world around us. Editor: I will remember that in our next encounter with artworks. Thanks for that input!