H. Ignatius van Loyola 1682 - 1727

Editor: Here we have "H. Ignatius van Loyola," an engraving created sometime between 1682 and 1727 by Jacobus Harrewijn, housed at the Rijksmuseum. The detail achieved with engraving is amazing. What stands out to you about this piece? Curator: This image vibrates with the power of symbols. Notice the “IHS” above Ignatius. That's a Christogram, a symbolic representation of Jesus's name. Its placement above his head signifies divine inspiration and sanctified presence. What emotions are conjured for you? Editor: It does create a sense of reverence. And there’s a phrase circling his portrait – does that add another layer? Curator: Absolutely. It translates to "Whom have I in heaven but thee? and there is none upon earth that I desire beside thee." See how it reinforces Loyola's complete devotion and surrender. Also, angels, heavenly beings, further reinforce the concept that he has the blessing of the Divine. What does his hand gesture evoke? Editor: A blessing? A call to action? It makes me think about how religious figures were often portrayed in art, especially during the Baroque era. Curator: Precisely. Baroque art was designed to inspire awe and reinforce faith, tapping into the emotions. How effective do you think Harrewijn’s strategic use of symbols and imagery would be in communicating that reverence? Editor: Thinking about it that way, it’s a very successful piece. All these elements create a strong message. Curator: Indeed. Images like this weren't just pictures; they were potent tools for shaping belief and memory. Editor: It’s fascinating how the cultural context really unlocks the deeper meaning. Thanks for pointing that out.