Seraphim 1964

Curator: Ernst Wilhelm Nay's "Seraphim" is a vibrant, large-scale canvas. The interaction of color and gestural brushstrokes strikes me first. What stands out to you? Editor: Well, the material quality of the paint itself is pretty evident. How do you think the application and layering contribute to the overall effect? Curator: It's crucial. Look at how Nay uses thin washes versus thick impasto. The means of production highlights the artist's labor. Consider what the flat picture plane signifies against traditional representation of religious figures. Editor: So, you're saying the lack of traditional subject matter and emphasis on materials challenges the 'high art' status associated with religious paintings? Curator: Precisely. It shifts the focus to the act of painting itself, questioning notions of skill and spirituality in art production. Editor: That's a great point; it makes me see the painting in a completely different light!