carving, metal, relief, sculpture
carving
baroque
metal
sculpture
relief
white palette
figuration
sculpture
carved
history-painting
mixed media
watercolor
Dimensions: height 13.1 cm, width 15.6 cm, thickness 1.0 cm
Copyright: Rijks Museum: Open Domain
Editor: This is "Mercury and the Sleeping Argus" by Paulus Willemsz. van Vianen, made around 1610. It's a baroque relief, made of metal. The monochrome and almost industrial look of the carving feels very contemporary. What strikes you most about the material choices in this work? Curator: The choice of metal, and the meticulous carving, really highlights the labor involved. Van Vianen is elevating metalwork – traditionally considered craft – to the level of high art sculpture. Think about the societal value judgments implicit in that choice during the Baroque period. This wasn't just about depicting a classical myth; it was a statement about the value of different kinds of artistic production. Editor: So, the medium itself challenges those historical categories? Curator: Exactly. The smoothness, the coldness of the metal contrasts sharply with the warmth typically associated with mythological scenes. Consider also who would have commissioned and consumed such a piece. Was this destined for a noble's collection, subtly showcasing not just artistic skill but also the patron’s wealth and understanding of complex artistic concepts? The making of art becomes inseparable from how the work functions socially. Editor: That's fascinating, considering that Argus was lulled to sleep with stories. The cold medium creates an interesting tension then, because stories are meant to be these very lively things. Curator: Precisely! Van Vianen makes you consider what kind of ‘story’ this *is*. What kind of cultural labor it implies. In what way its existence changes traditional myth-telling and sculpture. Editor: I'm starting to see the piece as not just illustrative, but deeply embedded in the economics of art creation at the time. Curator: Yes. By looking at the materiality, production, and the social contexts of consumption, we get a much richer understanding than simply focusing on the mythological subject matter alone. Editor: This perspective has completely shifted my view. It is very powerful! Thanks!
Comments
This scene revolves around the cow in the background, Jupiter’s beloved Io. Jupiter changed her into a cow to hide his adultery from his jealous spouse, Juno. But since Juno asked for the cow as a present, Jupiter had to concede. Juno had the cow guarded by Argus, whereupon Jupiter sent Mercury to kill Argus. Mercury first lulled Argus to sleep with music and stories.
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