Dimensions: object: 635 x 2642 x 2515 mm
Copyright: © The estate of Barry Flanagan, courtesy Plubronze Ltd | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Barry Flanagan's 'no. 5 '71,' a striking sculpture combining wood, fabric, and rope. I'm immediately drawn to the contrast between the raw, natural feel of the branches and the vibrant colors of the cloth. What do you see in this piece? Curator: The juxtaposition of materials is indeed central. Note how the linear arrangement of branches creates a structured framework. The soft drapery of the fabric introduces an element of tension, disrupting the rigidity. Editor: It's almost as if the fabric is contained by the branches, yet its color demands attention. Curator: Precisely. The chromatic intensity serves to animate the composition. Consider also the texture of the rope element; its materiality further enriches the object's formal qualities. What do you make of the overall symmetry? Editor: I hadn’t considered the symmetry as much. It seems to add to the sense of balance, of contained energy. I'm learning a lot. Curator: Indeed.
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Flanagan wanted to show the sculptural properties of everyday things. No. 5 consists of 44 tapering hazel branches, 33 strips of felt and 3 ropes piled according to a system devised by the artist. Two branches are laid parallel to each other on the floor. A second pair are laid on top but positioned slightly closer together, and so on. The positioning of the felt and rope elements are also defined by the artist. However, the person installing the work chooses the reduction in width between the parallel branches on each layer, taking into account the location and surrounding space. Gallery label, November 2009