Letter M c. 16th century

Curator: This is the "Letter M," an intriguing anonymous work residing here at the Harvard Art Museums. Editor: It’s like a tiny, intricate stage. My immediate impression is how the crisp black lines create such a dramatic presence, even at a small scale. Curator: Absolutely, and thinking materially, the woodcut technique would allow for relatively quick production and distribution of these ornate initials. The labour involved makes it less "high art", and more accessible craft. Editor: I am drawn to the face nestled within the "M." It feels classical, maybe Roman? The presence of the figure transforms the letter into a powerful emblem—suggesting authority, heritage. Curator: And the surrounding ornamentation certainly elevates the letterform. This demonstrates how mass-produced elements could still possess a high degree of artistry. Editor: It's a fascinating reminder of how symbols, even simple letters, carry so much cultural and emotional resonance. Curator: Indeed. A little thing with a lot to say.