Portret van Cyriacus Spangenberg c. 1597 - 1669

Theodor de Bry created this portrait of Cyriacus Spangenberg as an engraving. De Bry, an engraver and publisher during the late Renaissance, operated in a world undergoing immense religious and intellectual upheaval, and his art often reflects these tensions. Here, we see Spangenberg, identified as a theologian, framed within an ornate oval. Note the Latin inscriptions, indicating an educated, elite subject. Spangenberg's severe gaze and long beard suggest wisdom and authority, conforming to the era's representations of male intellect and piety. However, the very act of creating and circulating such a portrait speaks to the changing roles of individuals within society. Printmaking allowed for wider dissemination of images, challenging the traditional power structures of the church and aristocracy by enabling new forms of personal recognition and influence. This portrait embodies the intersection of religious identity, social status, and the burgeoning power of the printed image in shaping individual and collective identities.