Dispute of the Sacrament c. 18th century

Curator: Let’s discuss Francesco Faraone Aquila’s "Dispute of the Sacrament" currently in the Harvard Art Museums collection. The printmaking technique here seems meticulous. Editor: It feels like a world divided, doesn't it? The earthly realm below and this heavenly congregation above. Note the radiating light; it really emphasizes the spiritual significance. Curator: Indeed. Printmaking in the 18th century was a labor-intensive process. The creation of such detailed images speaks to a highly skilled workshop. How do you think the labor might impact its reception? Editor: The sacrament at the center is a powerful unifier. The earthly and divine figures are all oriented toward it, implying a shared faith. It's a visual representation of religious doctrine, reinforcing established beliefs. Curator: It's remarkable to consider the consumption of this image – how it might have served devotional or pedagogical purposes. Editor: It definitely invites reflection on faith and authority. I see a dialogue between the tangible and the transcendent. Curator: It's striking to view this evidence of artistic labor and devotional craft. Editor: Yes, an enduring testament to faith visualized through skillful technique.