Allegory on the Glory of Willem III, Prince of Orange c. 1674

Curator: This is Gérard de Lairesse's "Allegory on the Glory of Willem III, Prince of Orange," held here at the Harvard Art Museums. It's a plate, measuring about 67 by 45 centimeters. Editor: It feels like a celebration of power, but in a rather violent way. The fallen figures at the bottom create a sense of unease, despite the heroic imagery above. Curator: The print reflects the political climate of the time. De Lairesse utilizes classical allegory to portray William as a restorer of the republic, a victor over enemies. The details in the print, from the banner to the defeated figures, reinforce this narrative. Editor: I find it complicated. While the imagery is explicitly celebratory of a powerful male figure, I can't help but consider this in the context of Dutch colonial history. Power always has a cost, especially for the subjugated. Curator: Context is crucial. Understanding the print's creation within its social and political framework allows us to examine the ways in which power was constructed and visualized. Editor: It's a powerful image, laden with symbolism that demands a critical reading. Curator: Indeed. De Lairesse’s work compels us to consider the multifaceted aspects of power and representation in art.