Saint Nicholas c. 17th century

Curator: Jacques Callot's small but potent engraving, "Saint Nicholas," presents a familiar figure in a rather intriguing scene. What impressions does it conjure for you? Editor: It's stark, graphic, and oddly... playful? Nicholas is stately, but then you have those children crammed into what looks like a giant bucket. There is so much detail packed in such a small space. Curator: Indeed. The bathtub scene references the miracle of Saint Nicholas resurrecting three children murdered by an innkeeper. Callot, active in the 17th century, was a master of etching, capturing complex narratives within miniature formats. Nicholas himself embodies generosity and justice. Editor: The halo looks a bit like a hat, almost merging with his bishop’s mitre. It makes him feel less divine and more approachable, an advocate for the people. It is interesting that it is also a depiction of December, the month we celebrate his day. Curator: Precisely, he’s a bridge, linking the earthly and divine. This little print shows how enduring symbols reshape themselves across centuries. Editor: A reminder that even the holiest figures often start with the simplest human connections. It is so interesting that this image is an illustration of December, Saint Nicholas, and also feels like a Christmas card.