De verkoop van den buit c. 1874 - 1888

This print, "De verkoop van den buit", was made by Smeeton-Tilly with some form of engraving or etching. The artist uses traditional techniques, manipulating metal plates to create an image of a scene laden with social and political meaning. The work's material is crucial to its appearance. The stark contrast of black ink on paper renders a tableau of figures gathered indoors, perhaps negotiating the spoils of war. The fine lines and cross-hatching demonstrate the artisan's skill, each stroke bearing evidence of the meticulous labor involved. This level of detail suggests a slower, more deliberate pace than the industrial revolution, embedding the print in a world where skill and time are paramount. Engraving and etching are tied to wider social issues of labor and production. This print offers a window into a society deeply marked by questions of value, exchange, and the spoils of conflict. By emphasizing materials, making, and context, we challenge traditional distinctions between fine art and craft, revealing the social and political significance embedded within the artwork.