The Actor Sakata Hangoro II as Hige no Ikyu in the Play Shida Yakata Yotsugi no Hikibune, Performed at the Ichimura Theater in the Fifth Month, 1782 c. 1782

Editor: This striking woodblock print, "The Actor Sakata Hangoro II as Hige no Ikyu," created around 1782 by Katsukawa Shunko, really commands attention. The bold lines and theatrical pose are quite captivating. What compositional elements stand out to you? Curator: Observe how the artist employs asymmetry. The figure dominates the composition, yet the drapery and facial expression carry significant visual weight. Notice also the line work, which emphasizes form but is not realistic. What effect does this distorted naturalism produce, would you say? Editor: I suppose it directs my focus more on the patterns of his robe and his facial expression—almost as if those were more important than perfect realism. What can you tell me about that ornate garment? Curator: The complex interplay between line, color, and pattern on the robe invites rigorous study. Consider how these elements, seemingly decorative, in fact construct meaning through symbolic suggestion and surface tension. This robe and its patterning almost become the subject itself! Editor: So, is the robe a metaphor, or does its importance just come from pure aesthetics? Curator: Its function transcends mere representation; the actor’s expression coupled with the costume work together as an orchestration of formal components. Meaning arises from the dynamic interplay of these pictorial components, their dialogue creating an essence. Editor: That's a useful perspective. I usually just consider the person depicted. Now I am realizing the forms have an agency of their own.