Koe aan de waterkant bij een boom c. 1876 - 1879

Anton Mauve made this drawing of cows by a waterside, likely en plein air, using graphite on paper. The artist's hand is immediately evident in the swift, assured marks that define the composition. Notice how Mauve uses hatching and cross-hatching to suggest depth and volume, particularly in the foliage and the bodies of the animals. The choice of graphite is significant, a humble material that lends itself to both quick sketches and detailed studies. In this case, the economy of means speaks to a working method focused on direct observation and capturing fleeting moments. Mauve was part of the Hague School, a group of Dutch artists known for their realist depictions of rural life. This drawing reflects their interest in portraying the everyday realities of the working class, and their close connection to the land. The simplicity of the materials and the directness of the technique underscore the value placed on authenticity and sincerity. It reminds us that art-making is not just about the final product, but also about the process and the context in which it is created.