Jonge vissersvrouw met klein kind aan de hand by François Grenier

Jonge vissersvrouw met klein kind aan de hand c. 1837 - 1838

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drawing, print, engraving

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portrait

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drawing

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print

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old engraving style

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landscape

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figuration

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romanticism

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genre-painting

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engraving

Dimensions: height 446 mm, width 303 mm

Copyright: Rijks Museum: Open Domain

Curator: This print, "Jonge vissersvrouw met klein kind aan de hand", or "Young Fisherwoman with a Small Child by the Hand", was created around 1837-1838. The artist behind this piece is François Grenier. Editor: Oh, it has this wonderful quietness to it. It’s a simple, humble composition. A woman, presumably a young mother, walking hand-in-hand with her child through a rural landscape, seemingly a hard, and perhaps solitary, existence. Curator: Yes, the scene, rendered with the detailed technique of engraving, offers an intimate glimpse into genre-painting and figuration through the lens of Romanticism, popular at the time. Did anything about the symbols catch your eye? Editor: Absolutely. The woman's head covering, along with the traditional clothing, speaks of her belonging to a specific community, clinging perhaps to tradition in a world in flux. The child carrying a small stick - perhaps they are going to gather wood. There's something primal in this connection to their surrounding environment. It’s the kind of art that makes you think about generations and how they repeat themselves. Curator: It’s the continuity that interests me too. Think of the iconographic weight attached to motherhood in art history and beyond - this evokes a feeling of the archetypal, enduring image of mother and child, struggling and persevering. The somewhat hidden man perhaps her husband who seems to be assisting in work adds an extra dynamic. Editor: True. It's also amazing how a simple engraving can create such a depth of feeling. The artist uses shadow and light in a way that brings this scene to life, really pulls you into their world. Even the slightly windswept landscape feels like a character in the narrative. Curator: Right, those tall grasses practically communicate a mood of determined struggle. There's a poetic feeling woven throughout, especially because it seems timeless, though produced nearly two centuries ago. Editor: I completely agree. Looking at it, I'm left with a bittersweet feeling—respect for the endurance of the human spirit intertwined with melancholy about the cyclical, difficult aspects of life. It’s a delicate balance, this little drama, but the print captures that quiet beauty and melancholy in it so perfectly. Curator: A sentiment, so beautifully captured.

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