Stående mandlig model med en stav i venstre hånd by Christen Købke

Stående mandlig model med en stav i venstre hånd 1833

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drawing, pencil

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portrait

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drawing

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figuration

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romanticism

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pencil

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academic-art

Dimensions: 213 mm (height) x 140 mm (width) (bladmaal)

Editor: This is "Standing Male Model with a Staff in his Left Hand," a pencil drawing by Christen Købke from 1833, housed at the SMK. It feels like an academic exercise, a very delicate rendering. What catches your eye in this sketch? Curator: I see more than just a sketch; I perceive echoes of classical ideals intertwined with emerging Romantic sensibilities. The staff itself is a fascinating emblem. What could it signify? Power? Support? Or perhaps a connection to the pastoral world, so important to Romanticism? Think of shepherds, wanderers, heroes…all supported by such staffs. Editor: That's a great perspective. I hadn’t thought of it as alluding to a classical ideal at all, I just thought it was a neutral item used to prop the figure. Now the image almost alludes to Greek sculpture. Curator: Exactly! Now consider how Købke chooses to portray the model's gaze. It's direct, challenging even. Does it remind you of anything in terms of the history of depicting the male nude? Think about the weight of the Western gaze itself. What assumptions might Købke be subtly subverting, or perhaps perpetuating? Editor: I guess it's pushing back against conventional passivity we'd expect. He seems confident and self-aware. Was it radical at the time to have such direct eye contact in figure studies? Curator: It’s difficult to quantify exactly how “radical” it was, but let's just say this level of directness, especially combined with the understated eroticism and symbolic accoutrements, offered viewers much to ponder. We can see not just anatomical accuracy but also burgeoning individualism, perhaps even an assertion of Danish cultural identity within the broader European artistic landscape. Editor: Looking closer now, it seems packed with deeper cultural codes. Thanks, I definitely view Købke's drawing in a new light. Curator: It’s precisely by engaging with the symbols, their resonance, that we understand how artists of any era become part of the grand conversation across centuries.

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