Dimensions: support: 430 x 380 mm
Copyright: © Anish Kapoor | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This untitled print by Anish Kapoor features what appears to be a pool in a landscape. The dark, almost monochromatic palette creates a somber mood. How do you approach interpreting this work through its formal elements? Curator: The composition invites analysis. Note the stark contrast between the textured, almost violent application of the medium in the upper register, contrasting with the relative calm suggested by the oval shape in the lower plane. Consider how the artist manipulates value and tone to create a sense of depth and perspective, even within the abstraction. Editor: The surface is so active; do you think that affects the stillness suggested by the pool? Curator: Precisely. The tension between surface agitation and implied stillness is a key formal element. The artist is manipulating our perception, creating a visual paradox that demands closer scrutiny. Editor: I see it now. The formal contradictions really enhance the viewing experience. Curator: Indeed. It highlights how an artist can generate meaning through careful manipulation of form and materiality.
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This is one in a suite of thirteen etchings entitled Blackness from Her Womb. The suite was produced in an edition of thirty of which the first twelve were bound as books, and the remaining eighteen were presented unbound in boxed portfolios made of hand-dyed parchment. Tate’s suite is number twenty-five, and is one of the portfolio versions. Each of the thirteen prints is signed by the artist. The project was designed and printed by master engraver Jacob Samuel.