Dimensions: support: 2466 x 3222 x 160 mm
Copyright: © Richard Smith | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Richard Smith's expansive painting, "Panatella," which we see here, is comprised of bold strokes of color creating a soft but graphic composition. Editor: It’s quite striking. The hazy colors and repeating shapes create a mood that is both energetic and calming. There is tension in the colors, but also a gentle overall effect. Curator: Smith’s work often references commercial packaging and advertising. The cigar-box title, "Panatella," hints at a world of consumerism, subtly critiquing its allure. Editor: I see it, these stripes—the reds, greens, yellows—do seem lifted from some kind of advertisement. I wonder if it's commenting on the seductive nature of branding. Curator: Perhaps. Smith's interest lay in transforming these elements into abstract art, playing with depth and surface. Editor: It certainly invites a deeper look at the visual language that surrounds us. This piece pushes viewers to reconsider the cultural context of everyday commercial imagery. Curator: Indeed. Smith's piece has a lasting ability to reframe the mundane. Editor: A very thoughtful consideration of our relationship with consumerism.
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Smith studied at the Royal College of Art in 1954-7. In 1959 he won an award to study in America for two years and 'Panatella' was painted in New York. In terms of its large scale, abstract shapes and vigorous brushwork, 'Panatella' demonstrates connections with American painting of the time. However, Smith's interest in mass media and consumer culture is evident in the way that the image is based on a cigar band. Also, as Smith noted, 'the colour is rather tobacco and gold.' One of Smith's concerns was to make connections between 'high' art and popular culture. In this respect 'Panatella' forms a link between abstract painting and Pop art. Gallery label, September 2004