Totem 

Editor: This is "Totem," an oil painting by Jana Brike. There isn't a specific date attached to it, but it strikes me as both ethereal and grounded. What are your initial thoughts, seen from a formalist perspective? Curator: A penetrating question. The initial assessment reveals a dichotomy worth investigating. Observe the strategic employment of complementary colorations; the verdant backdrop opposed against the vulpine hues. It creates a visual push and pull. Do you observe a mirroring of pattern from the facial design on the vixen with that above the lady? Editor: Yes, a similar five-pointed star is featured on the fox's forehead and the woman's brow. What would you say that symmetry implies about the overall composition? Curator: One could suggest a structural harmony that is both balanced and asymmetrical. It introduces, simultaneously, notions of natural harmony alongside intentional interruption; note how each presentation of the element is unique in the rendering and position. This presents interesting insights into what is prioritized or intentionally discarded. Are the facial depictions realistic, in your view? Editor: I don’t think either is necessarily photorealistic; each has a stylized feel, maybe even idealized in its way. Do you find that contrast interesting or notable? Curator: Precisely! This departure initiates speculation; it provides an intentionally manufactured reality. Perhaps that there is a more important message than simply, what? Rather, the viewer should contemplate what *could* be… Editor: That makes me appreciate the construction in a totally different way. Now I will think about *could* when viewing this. Curator: An exercise that expands understanding through focused deconstruction of visual elements – excellent. This investigation highlights that we come closer to understanding an artwork's message through meticulous attention to detail.