Dimensions: plate: 23.9 x 31.9 cm (9 7/16 x 12 9/16 in.) sheet: 30.8 x 44.5 cm (12 1/8 x 17 1/2 in.)
Copyright: National Gallery of Art: CC0 1.0
Curator: Here we have François-Nicolas Chifflart's 1865 etching, titled Justice, Vengeance, and Truth. It’s an arresting composition of interwoven figures. What is your immediate impression? Editor: Chaos. There’s a swirling energy that's almost violent. Figures clash, almost meld together, but three women seem to stand out, floating above the struggle. It's disturbing, yet strangely compelling. Curator: It's definitely a turbulent scene. Chifflart created this as an etching, which gives it that intricate, linear quality. These were made in a period ripe with social change, the role of justice was central. Editor: Indeed. And the imagery of Justice as this avenging angel is powerful. We often see Justice blindfolded, balanced—here, she seems actively engaged, almost ruthless. And her companions—Vengeance and Truth? Their symbols speak volumes. The flail evokes torment, a forceful presence above these devils. Curator: The inclusion of Vengeance adds another layer. Justice tempered by vengeance complicates the moral landscape of post-revolutionary France. Where is the place for punitive action in the search for a utopian social order? The political role of imagery such as this can not be understated. Editor: And the Truth... blindfolded and with a raised trumpet... a blaring announcement? It suggests that visibility and honesty will be tools that guide this reckoning, if not, perhaps justice remains blind, and so requires vengeance? Curator: It's a complex interplay, suggesting that achieving justice demands not just impartiality, but an active confronting of evil. What lingers with you most about this image? Editor: I think it's the stark contrast between the ethereal beauty of the allegorical figures and the raw suffering below. It's a potent reminder of the painful birth of ideals. And for you? Curator: The sheer volume of intertwined political messaging speaks of the time. So complex. I’m particularly drawn to how Chifflart, as an artist working within a rapidly changing political climate, used established symbols and techniques to comment on social order. It's a forceful statement on the perpetual struggle for justice, always informed by its cultural moment.
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