William Brattle (1706-1776) 1756

Curator: Here we have John Singleton Copley's portrait of William Brattle, painted in the 18th century. Brattle was a prominent figure in colonial Massachusetts, a minister and a Harvard graduate. Editor: The first thing that strikes me is the color palette. A sort of fiery, vibrant energy, but also a feeling of… well, constrained power, wouldn't you say? He's almost glowing against that subdued landscape. Curator: Copley was highly sought after for his ability to capture the likeness and status of his sitters. Note the fine details of his attire, and how they reflect Brattle's position in society. Editor: It's like a performance, isn't it? The wig, the coat, the confident hand gesture—he's playing the role, maybe even for himself. What do you think of the way Copley uses light here? Curator: Indeed, portraits like these were instruments of power. Copley's mastery lay in his ability to convey not only a physical likeness, but a social one as well. Editor: Absolutely. Looking at this, I sense the weight of expectation, the pressures of leadership... and maybe just a hint of vulnerability beneath the wig. Food for thought, isn’t it?