Parasoldek van witte tule, versierd met een tulpenpatroon in zwart tamboereerwerk by Gustav Schnitzler

Parasoldek van witte tule, versierd met een tulpenpatroon in zwart tamboereerwerk c. 1875 - 1900

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drawing, mixed-media, fibre-art, silk, weaving, textile

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drawing

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natural stone pattern

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mixed-media

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fibre-art

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organic

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silk

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pattern

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weaving

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textile

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hand-embroidered

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repetitive shape and pattern

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organic pattern

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repetition of pattern

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regular pattern

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pattern repetition

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decorative-art

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imprinted textile

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layered pattern

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combined pattern

Copyright: Rijks Museum: Open Domain

Curator: This parasol cover, probably made somewhere between 1875 and 1900, sings a song of leisurely afternoons. Isn't it charming? Editor: It really is! Made of white tulle and embroidered with black tulips, it gives me such a peaceful, elegant vibe. How do you interpret the overall effect of this piece? Curator: For me, it whispers of a particular kind of feminine artistry from that time—laborious, delicate work undertaken not for grand prizes, but for the quiet satisfaction of beautifying everyday life. It makes me wonder about the woman who held the parasol... did she embroider it herself, perhaps? Editor: That's lovely. It's fascinating to think about the story behind the object and the handcraft. Do you think the tulip motif has any specific significance? Curator: Tulips, especially during that era, could symbolize love, charity, or even a declaration of perfect love. The dark thread against the light tulle makes a rather bold, though delicate, statement, doesn't it? It's as if the flowers are blooming right off the fabric. What emotions does that provoke in you? Editor: It gives me the impression of elegance, maybe with a hint of melancholy, due to the color contrast. I’d like to be lying in a field of tulips right now, and think of it as representing natural beauty against human constraint! Curator: Indeed, a fitting sentiment. It’s curious how an object made for shade can spark such imaginative light. Textiles can tell stories too. Editor: Definitely something I will keep in mind. I feel I am able to analyze and relate better to textile art now. Thanks so much!

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