drawing, print, ink, engraving
drawing
ink drawing
narrative-art
baroque
pen drawing
ink
history-painting
engraving
Dimensions: height 294 mm, width 185 mm
Copyright: Rijks Museum: Open Domain
Curator: This print, "Franse Hervormde Kerk aangevallen door man met gesel" by Adriaen Haelwegh, made between 1694 and 1696, presents a powerful visual narrative, relying heavily on the readily available and reproducible medium of ink. Editor: It's certainly... dramatic. A lot is happening! The central figure is pretty intense, with what looks like a flail. There's so much symbolism here too. What exactly am I looking at? Curator: From a materialist perspective, consider the context of printmaking at this time. This wasn't high art commissioned by the elite; it was a means of disseminating a message, of shaping public opinion through easily produced and circulated images. The engraving allows for reproduction, widening access. What message do you think the choice of subject matter and graphic style might be sending to its viewers? Editor: Well, given the title and the violent imagery, I'd guess it is illustrating the persecution of the Protestant churches in France? The figure with the flail, is he meant to be some kind of oppressor, attacking the other figures? Curator: Precisely. Think about the labor involved. An artist meticulously incising lines into a copper plate. Multiple copies of an artwork such as this being circulated amongst a community... that labour fuels a specific historical narrative. How does understanding that process influence your interpretation of the overall artwork? Editor: It changes it a lot. I tend to think of prints as 'lesser' artworks. But framing it like you said... that really emphasizes its importance and role at the time. Like it became more democratic through its reproducibility, that so many of these were circulating! Curator: Exactly. We can even see how different paper types, ink quality, and the wear of the printing plates over time would further inflect the message, reflecting the economic realities of its production and consumption. Editor: It's incredible to consider the impact of a medium itself as part of the message, and not just a container for it!
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