Allegorische voorstelling ter gelegenheid van het zilveren huwelijk van Willem Philip Kops en Johanna de Vos 1745
engraving
allegory
baroque
figuration
history-painting
engraving
Dimensions: height 270 mm, width 208 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have Jan Punt’s engraving from 1745, "Allegorical Representation on the Occasion of the Silver Wedding of Willem Philip Kops and Johanna de Vos." It's quite dense, isn’t it? So many figures! What jumps out at you? Curator: For me, it’s the material conditions that enabled such an intricate piece. The burin, the copper plate, the press – consider the artisanal skill and labor invested in its creation and distribution. What do those choices signal about Dutch society at the time? Editor: It's clearly intended for a relatively wealthy audience if it celebrates a silver wedding anniversary...but the number of prints surely also broadens access, doesn’t it? Curator: Precisely. Engravings democratized images. How might this access reshape social relations or even tastes? Moreover, it reproduces a certain image of marital celebration. What function does that play, not only in representing, but in producing that value system? How might this print become almost performative for a silver anniversary party? Editor: That's fascinating. I’d not considered that an artwork *creates* a value rather than just showing it. I suppose that if you have limited engravings, and only the wealthier members of society have access to them, that an event could have become a social and economic marker of a silver wedding for a couple in society. And I see now the production becomes very important. But I am also left wondering if there's another dimension that I'm not capturing. Curator: Are the values associated with a celebration any different for laborers? What are the social structures implied when craftmanship or print making creates and sustains a hierarchy of class structures? The medium itself holds meanings as both a product of, and a testament to, its age. Editor: That really adds a completely different dimension to my understanding of the image; thinking about it as both product and production. Thank you!
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