Iris Approaching Athena and Hera by Attributed to Louis-Jean-François Lagrenée

Iris Approaching Athena and Hera c. 1780

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drawing, charcoal

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portrait

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drawing

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neoclacissism

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allegory

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greek-and-roman-art

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charcoal drawing

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figuration

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charcoal art

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underpainting

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line

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portrait drawing

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charcoal

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history-painting

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charcoal

Dimensions: 16 5/8 x 22 1/4 in. (42.23 x 56.52 cm) (image)

Copyright: Public Domain

Attributed to Louis-Jean-François Lagrenée, this drawing was made with pen and brown ink and wash over graphite, likely sometime in the late 18th or early 19th century. The work depicts Iris, the Greek goddess of the rainbow, approaching the goddesses Athena and Hera, who ride in a chariot. The image takes its inspiration from classical mythology, a common theme in the art of this period. The gods and goddesses, with their stories of power, love, and betrayal, offered artists a rich source of subject matter. But what does it mean to revive classical imagery in 18th century France? The answer lies in the cultural and institutional setting. Academies of art controlled taste, and Greek and Roman subject matter signaled an artist's education and sophistication. By drawing on this artistic tradition, artists like Lagrenée were able to connect with a cultural heritage, and signal their adherence to established artistic norms. To gain a deeper understanding of this work, we can consult historical texts, mythological dictionaries, and exhibition records. This type of research brings the world of the artist closer to us. It reminds us that art always reflects the values and beliefs of a specific time and place.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Greek myth was popular among French Neoclassical painters, particularly obscure scenes like this one, which allowed the artist to invent an entirely new image This drawing represents a scene from Homer's Iliad, when the messenger goddess Iris was sent by Zeus to warn Athena and Hera not to help the Greeks in the war against Troy. Following their loss to Aphrodite in the beauty contest judged by Paris of Troy, Athena and Hera sided against the Trojans in the war. The artist depicted Hera, with her attribute of the peacock, and Athena, dressed in her armor, coming upon Iris just as they are rushing off to the battlefield. This drawing may be one of several Iliad scenes drawn by Louis Lagrenée for Louis XVI. Its high degree of finish and monumental size suggest that it was a presentation drawing; so perhaps Lagrenée invented a number of possible compositions for the king to select one from and be developed into a painting.

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